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<title>Working Papers (INT)</title>
<link href="http://hdl.handle.net/10398/81" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/10398/81</id>
<updated>2013-05-22T13:12:59Z</updated>
<dc:date>2013-05-22T13:12:59Z</dc:date>
<entry>
<title>Why are cities becoming alike when each city is branded as different?</title>
<link href="http://hdl.handle.net/10398/8677" rel="alternate"/>
<author>
<name>Ooi, Can-Seng</name>
</author>
<id>http://hdl.handle.net/10398/8677</id>
<updated>2013-04-15T09:49:46Z</updated>
<published>2013-04-15T00:00:00Z</published>
<summary type="text">Why are cities becoming alike when each city is branded as different?
Ooi, Can-Seng
Cities are becoming alike. As a result, there is a rise of “copy-cat” cities. There&#13;
are many reasons for this, and this paper looks from the perspective of city branding: how&#13;
does place branding lead to the homogenization of cities? Using the case of Singapore,&#13;
and with references to Chinese cities, this paper highlights a number of accreditation&#13;
tactics in place branding campaigns. Accreditation is necessary because the brand needs&#13;
to seek credibility for the messages it sends. The types of accreditation used must also be&#13;
globally understood, so as to reach out to diverse world audiences.
</summary>
<dc:date>2013-04-15T00:00:00Z</dc:date>
</entry>
<entry>
<title>How to capture and present complexity, ambivalence and ambiguity</title>
<link href="http://hdl.handle.net/10398/8672" rel="alternate"/>
<author>
<name>Ooi, Can-Seng</name>
</author>
<id>http://hdl.handle.net/10398/8672</id>
<updated>2013-04-04T12:14:35Z</updated>
<published>2013-04-04T00:00:00Z</published>
<summary type="text">How to capture and present complexity, ambivalence and ambiguity
Ooi, Can-Seng
Bakhtin was a literary theorist and was the widely acknowledged father of dialogism.&#13;
This working paper shows how Bakhtin and dialogism can be used to capture&#13;
complexity, ambivalence and ambiguity in the social world. In following the spirit of&#13;
dialogism, I will refer to my own research experiences in tourism and art worlds,&#13;
through which I will reveal my own inclinations – which can be read as biases – in&#13;
my research knowledge production. Through the concept of genre, heteroglossia,&#13;
polyphony and carnivalesque, dialogism allows social science researchers to identify&#13;
and structure the forces of order and disruption in society. There are methodological&#13;
consequences if one is to follow dialogism. Besides having to get deep into the&#13;
empirical field, dialogism challenges by raising questions on the manner we collect&#13;
data, the extent to which we can present a holistic analysis, the ways to engage&#13;
alternative analytical interpretations and the approach to address a researcher’s own&#13;
biases.
</summary>
<dc:date>2013-04-04T00:00:00Z</dc:date>
</entry>
<entry>
<title>Murder, Sex, Corruption</title>
<link href="http://hdl.handle.net/10398/8622" rel="alternate"/>
<author>
<name>Brødsgaard, Kjeld Erik</name>
</author>
<id>http://hdl.handle.net/10398/8622</id>
<updated>2013-01-14T09:46:28Z</updated>
<published>2013-01-14T00:00:00Z</published>
<summary type="text">Murder, Sex, Corruption
Brødsgaard, Kjeld Erik
The recent Bo Xilai affair has created strains in the Chinese political system&#13;
and has intensified the power struggle concerning the new leadership&#13;
appointments due to take place at the 18th Party Congress. The pressure on&#13;
the political system is intensified by a number of social phenomena such as&#13;
increased fragmentation, vested interests, corruption, social unrest, increased&#13;
income and social inequalities and a de facto reform stop since 2009. Some&#13;
scholars believe that we now see the end of ‘resilient authoritarianism’ and&#13;
that China either will experience a political and social collapse or move&#13;
towards a democratic system. However, developments since 1989 show the&#13;
regime’s amazing ability to revitalize its organizational capabilities and regain&#13;
its Mandate of Heaven. It may be too early to declare the Party over.
</summary>
<dc:date>2013-01-14T00:00:00Z</dc:date>
</entry>
<entry>
<title>Revealing the attractiveness of outrageous beer tourism</title>
<link href="http://hdl.handle.net/10398/8570" rel="alternate"/>
<author>
<name>Munar, Ana María</name>
</author>
<id>http://hdl.handle.net/10398/8570</id>
<updated>2012-11-20T10:07:15Z</updated>
<published>2012-11-20T00:00:00Z</published>
<summary type="text">Revealing the attractiveness of outrageous beer tourism
Munar, Ana María
Tourism is often linked to ideas of escapism and release from everyday duties and obligations.&#13;
Modern societies are characterized by highly complex systems of social and cultural control, and&#13;
citizens of these societies find forms of liberation in travel (Jafari 1987). Tourism destinations act as&#13;
magnetic spaces of leisure and relaxation that can be visualized as the realm of ‘touristhood’– a&#13;
theatrical arena in which individuals adopt different masks and conduct themselves according to&#13;
expectations and norms that differ from those that rule their everyday lives. The consumption and&#13;
enjoyment of alcoholic drinks constitutes a relevant element of the scenery of touristhood. In&#13;
touristic spaces the beer product is socially transformed and constructed; tourists enact beer tourism&#13;
through drinking practices and rituals performed at the destination.&#13;
Alcohol, and in this case beer consumption, is constitutive of socio-cultural traditions in many&#13;
national cultures (such as those in Northern Europe). National and local beer cultures are however&#13;
being transformed and re-shaped in tourism destinations. This study examines the interrelation of&#13;
beer cultures, more specifically German beer culture, and tourism. It examines how beer culture,&#13;
combined with touristhood, produces extreme and novel forms of consumption transforming both&#13;
tourism practices and the world of beer.
</summary>
<dc:date>2012-11-20T00:00:00Z</dc:date>
</entry>
</feed>
