Browsing Department of Intercultural Communication and Management (ICM/IKL) by Title
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Rights, responsibilities and secondary schooling in urban MexicoBlasco, Maribel (København, 2002)[More information][Less information]
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Baron, Irene (Odense, 2011)[More information][Less information]
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Mezias, Stephen; Strandgaard Pedersen, Jesper; Svejenova, Silviya; Mazza, Carmelo (, 2008)[More information][Less information]
Abstract: This study seeks to untangle the impact of film festivals on the conception and action of industry actors. This study puts forward the argument that film festivals, seen as instances of tournament rituals and field configuring events, play a role in bridging art and commerce. It examines three instances of a particular tournament ritual, that of the three leading European premier film festivals, namely the Cannes Film Festival, the Berlin Film Festival, and the Venice International Film Festival, to untangle their role as mediators between art and commerce and their impact on the artistic classification system of the cinema field. For the purpose, it uses admissions data from 36 European countries for the period of 1996 to 2005. It examines the impact of festival participation and awards on admissions, and further artistic recognition at award ceremonies in the US. Based on the results of our study we argue that, similarly to the classification of art forms, there is a status ordering of tournament rituals (i.e. film festivals) with regard to their ability to act as a nexus of dichotomous categories for a particular cultural form (i.e. art and commerce in the case of film). URI: http://hdl.handle.net/10398/7781 Files in this item: 1
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Skjold, Else (, 2008)[More information][Less information]
Abstract: Music and dress have played a significant role in the civilization process in West Europe. Both being aesthetic fields meant to be performed and put into play by human gesture, they have proved to be efficient tools for cultivating the movements, postures and gestures of the body. The material, cut and shape of the dress has manipulated the body to move in certain ways, as have rhythms and expressions in music. Significant for West Europe has been a duality between spirit and body, causing a division between high culture and popular culture, that has been reflected in the way music and dress has been used as display of ‘civilization’ from the early Middle ages to the Nineteenth century, and the way fashion and pop music subsequently has been perceived as ephemeral, irrational or even immoral. Following the democratization process, music and dress from early to late modernity has formed a unique liaison in youth culture, with the notion of image as a unifying concept. Here dress, gesture and pattern of movement emphasizes the underlying bodily gestures indicated by the sounds and rhythms in various music styles, and in this way encapsulates the identity of the individual participating in the manyfragmented taste groupings in society. In the same sense, dress and music have worked as a gate-opener to society for ethnic European outsiders like gays or working class, or non-Western immigrants, that could define their position in society through expressing themselves in hybrid subcultures. URI: http://hdl.handle.net/10398/7768 Files in this item: 1
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a focus on organisation in the start-up scene in BerlinBjerg Møller, Inger (København, 2001)[More information][Less information]
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The Digital Concert Hall in a Media Geographical PerspectiveStöber, Birgit (Frederiksberg, 2011)[More information][Less information]
Abstract: The Internet is often associated with “a placeless world, (…) and a form of reality grounded in technology rather than nature” (Adams 2009, 115). Many commentators argue that the combination of Information and Communication Technologies (ICTs) and cyberspace disrupts a number of factors that underpin traditional forms of cultural and social interaction and thus the relationship between place, community and identity.” (Dodge & Kitchen 2001, 33) Moreover, an argument often heard is that media are not able to reproduce a unique moment tied to a particular site; therefore media (no matter whether they are analog or digital) are not able to transmit cultural events such as a concert without losing its specific “aura” (Benjamin). The case of the Digital Concert Hall (DCH) by Berlin Philharmonic Orchestra challenges these arguments. The DCH is a virtual place and communication platform that offers a “quasi authentic concert experience on a home computer” (Kolbe 2009, 12). However, the DCH is extremely bounded to the concrete place of the concert hall in Berlin mainly due to the technology installed in the hall. In this paper, I will argue that the virtual place of the DCH is a new media initiative from the classical music scene that is not placeless, neither it is weakening the physical place of the concert hall in Berlin. Rather, the virtual platform DCH is strengthening the physical place as well as the brand Berlin Philharmonic Orchestra. URI: http://hdl.handle.net/10398/8253 Files in this item: 1
54-BS- New media and music productsx.pdf (273.6Kb) -
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Moeran, Brian (Frederiksberg, 2009)[More information][Less information]
Abstract: This paper starts from the premise that all forms of socio-economic behaviour are motivated and underpinned by values of one kind or another. The study of culture is thus a study of the values that constitute that culture. In their plural form, values constitute our socio-cultural beliefs and moral principles. However, in its singular form, value relates to economic utility, price and worth. The aim of this working paper is to examine the relation between economic and cultural values which, it is argued, constitute a field of values that are (re)produced, negotiated and transacted in the context of creative products. This field consists of technical, affective, social, situational, appreciative and functional values. Together these create a qualitative symbolic exchange value which is often then exchanged for a quantitative economic value. The paper outlines how each of these values works and interacts with other values in the context of creative industries. URI: http://hdl.handle.net/10398/7971 Files in this item: 1
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A firm level perspecitve on internal learning and organisational behaviourGranerud, Lise (København, 2003)[More information][Less information]
Abstract: The auto-components industry has improved its performance significantly in South Africa during the second half of the 1990’s. However, it has not yet reached the level of the international competitors. The present paper suggests that a focus on the firms’ internal conditions is a way to identify obstacles preventing further improvement of performance and competitiveness. Organisational behaviour has increasingly become important internationally in the understanding of firm development and learning in the recent years. This paper argues that it is crucial to take into account the behaviour of the organisation in the perception of the problems connected to the development of technology and capabilities in South African SMEs. The paper builds on the immediate findings of a qualitative case study on technological learning in two auto-components enterprises in Greater Durban, where the organisational behaviour in different ways hinders internal learning. These findings are contrasted with a third firm within the metal sector, which has a very different learning environment. The paper emphasises the importance of including the informal organisational behaviour in the understanding of how to develop the technological resources. The study investigates the physical resources, and the human and organisational resources, and relates these to the routines in the organisational behaviour, including formal and informal work practices and social relations at the shop floor in the understanding of what influence technological learning in these firms. URI: http://hdl.handle.net/10398/6987 Files in this item: 1
csds working paper no.37.pdf (316.6Kb) -
Antecedents, processes dynamics and firm-level impactØrberg Jensen, Peter (Frederiksberg, 2008)[More information][Less information]
Abstract: This PhD thesis addresses one of the most intensely debated phenomena over the past decade within the realm of international business: Firms’ relocation of value chain activities to other parts in the network of multinational corporation (MNC) or to external suppliers/services providers in foreign countries (hereinafter referred to as offshoring), often to destination countries with lower cost structures. Whereas the offshoring of manufacturing tasks has existed for several decades, and has been analyzed in the international business literature, the offshoring of advanced services tasks from developed country firms to destination countries such as India, which offer an attractive cocktail of low costs and highly skilled labour, is a more recent phenomenon. The offshoring of this type of services tasks forms the subject of this PhD thesis... URI: http://hdl.handle.net/10398/7741 Files in this item: 1
Peter_d_orberg_jensen.pdf (674.8Kb) -
a cross-cultural comparison of Elle and Marie ClaireMoeran, Brian (København, 2001)[More information][Less information]
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Skaates, Maria Anne (København, 1997)[More information][Less information]
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Lorenzen, Mark (, 2008)[More information][Less information]
Abstract: The paper presents stylized facts about the economic organisation of the film industry, arguing that while we know a lot about production, specialization and internationalization, the complex processes of globalization are still under-researched. The paper concludes with a research agenda of how to address globalization. URI: http://hdl.handle.net/10398/7775 Files in this item: 1
Creative Encounters Working Papers 8.pdf (202.1Kb) -
Bille, Trine; Agersnap, Flemming; Jensen, Søren; Vestergaard, Trine (Frederiksberg, 2010)[More information][Less information]
Abstract: The purpose of this paper is to study careers and income conditions of performing artists in Denmark on the basis of national statistics. The paper uses three different criteria for defining performing artist, and looks at the implications observed on careers and income conditions. The three different criteria for defining performing artists are: 1) Having a job as performing artist, 2) Graduation from a performing art school, and 3) Membership of professional performing artist’s association. The paper has focus on three questions: How are the income conditions of performing artists in the period 1996 – 2007? How are the career length and patterns of the performing artists in Denmark? How is the careers related to the income conditions of the artists? The results concerning the living conditions for performing artists shows in general very low income levels for most of the artists, and only about 1/3 of them are working within the theatre sector. A regression model for 2007 shows a positive effect on earning of age, being a man, working in Copenhagen capital area, having work experience, having a basic actor education, and work as a dancer/choreograph or as an actor/director. The analysis of career length shows that most performing actors have very short careers of one or two years. Cross-tabulations for 2007 shows that those with short careers in general have very low income, while those with longer careers have substantial higher income, and most of them have an income high enough to make a living. URI: http://hdl.handle.net/10398/8177 Files in this item: 1
50-Trine Bille.pdf (275.1Kb) -
Djursaa, Malene (København, 1996)[More information][Less information]
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Nielsen, Michael E. (København, 2008)[More information][Less information]
Abstract: ‘No amount of preparation could have lessened the shock and revulsion I felt on entering a sporting-goods factory in the town of Sialkot, seventy miles from Lahore, where scores of children, most of them aged five to ten, produce soccer balls by hand for forty rupees, or about $1.20, a day. The children work eighty hours a week in near-total darkness and total silence. According to the foreman, the darkness is both an economy and a precautionary measure; child-rights activists have difficulty taking photographs and gathering evidence of wrongdoing if the lighting is poor. The silence is to ensure product quality: "If the children speak, they are not giving their complete attention to the product and are liable to make errors.” The children are permitted one thirty-minute meal break each day; they are punished if they take longer. They are also punished if they fall asleep, if their workbenches are sloppy, if they waste material or miscut a pattern, if they complain of mistreatment to their parents or speak to strangers outside the factory. A partial list of "infractions” for which they may be punished is tacked to a wall near the entrance. It’s a document of dubious utility: the children are illiterate. Punishments are doled out in a storage closet at the rear of the factory. There, amid bales of wadding and leather, children are hung upside down by their knees, starved, caned, or lashed.’ URI: http://hdl.handle.net/10398/7730 Files in this item: 1
michael_e_nielsen.pdf (1.355Mb) -
Ougård, Morten (København, 1996)[More information][Less information]
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India's national Oil Company and International Activism in SudanPatey, Luke (Frederiksberg, 2010)[More information][Less information]
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Leander, Anna (København, 2008)[More information][Less information]
Abstract: This paper explains, or perhaps better rationalizes, why I have ended up thinking that so called "practice” theory provides the most adequate entry point for theorizing about business in/and global governance.1 But more than this the key ambition is to spell out what it means to work with practice theory and what kind of leverage it gives for understanding the role of business in global governance. The paper therefore begins by an account of two major difficulties thinking in terms of practices are useful for circumventing. The general thrust of that section is to underline why it may be useful to think in terms of practices in the first place rather than sticking with some of its admittedly more parsimonious and less labor intense alternatives. The rest of the paper then tries to outline what it means (in my view) to work with practices. The second section focuses on how we know whose/what practices matter. It emphasizes the importance of allowing for contextual differentiation when mapping activities and their hierarchies. It also underscores the significance of remaining open about who and what is important. It points to the centrality of different forms of capital (economic, social, cultural and symbolic) in defining whose activities matter. But even more strongly it links up with actor-network-theory’s insight that also objects and technologies "act” in social relations. URI: http://hdl.handle.net/10398/7024 Files in this item: 1
wp 2007-6.pdf (235.8Kb) -
Reflecting and Reinforcing Neo-Liberal GovernmentalityLeander, Anna (København, 2006)[More information][Less information]
Abstract: This article argues that the role of Private Security Contractors in Darfur reflects and reinforces neo-liberal governmentality in contemporary security governance. It is an argument (in line with other articles in this special issue) which is more interested in discussing how the privatization of security alters security practices (including those involving states) than in thinking about their impact on an idealised public monopoly on the use of force. To make its point, the article begins by drawing on Foucauldian work to clarify the meaning of neo-liberal governmentality in security. It underlines that governance is increasingly taking place through a set of (quasi-) markets, it is marked by entrepreneurial values, and a hands off approach to governance. We then discuss the way this overall change is reflected in and reinforced by the role of private security contractors in Darfur. Drawing on a framework of analysis inspired by Bourdieu, we show that neo-liberal governmentality is reflected in the dispositions of security actors as well as in their relative positions. The resulting security practices reinforce dispositions and positions that reproduce neo-liberal governmentality. Looking at these processes is necessary to understand the role of private security contractors in Darfur. But more than this, practices in Darfur entrench neo-liberal governmentality in security more generally. The managerial and ‘de-politicizing’ approach to security in Darfur displaces alternative views not only in the Darfuri context. It is taken into other contexts where it bolsters neo-liberal governmentality. This spiralling neo-liberal governmentality rather than diminished state control and authority is, we argue, the most significant consequence of the presence of private security contractors in Darfur. URI: http://hdl.handle.net/10398/6989 Files in this item: 1
darfur_working_paper.pdf (140.3Kb)