Browsing Department of Intercultural Communication and Management (ICM/IKL) by Author "Skov, Lise"
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Skov, Lise (Frederiksberg, 2011)[More information][Less information]
Abstract: This paper is written in preparation for the ‘Wardrobe Ethnographies’ conference to be held in Herning in June 2011. It aims to provide a research framework that goes beyond a catalogue of existing literature, and to provide discussion points for the conference papers. Scholars from several different disciplines have studied wardrobes and dress practices through a range of ethnographic and related qualitative and quantitative methods. The aim of the conference and ensuing book is to bring together a series of papers which combine a discussion of research approaches and methods with an ethnographic account of research findings. We hope to make a dual argument; firstly as obbjects of study wardrobes and dress practices can generate critical and innovative insights both at micro and macro levels; , and secondly, that what I tentatively term wardrobe ethnographies are a feasible and realistic research approach that is attracting scholars from different disciplines and with different research interests. URI: http://hdl.handle.net/10398/8277 Files in this item: 1
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Skov, Lise (, 2008)[More information][Less information]
Abstract: The question of ethics is about determining concepts of right and wrong human action. There are a number of ethical controversies in relation to the industries that dress the visible self, especially clothing, shoes, accessories and skincare industries. The most important are, firstly, representations of idealized gender and body images, secondly, fakes and counterfeits of branded goods, thirdly, working conditions, fourthly, environmental impact and sustainability, and fifthly, animal rights. In a strict philosophical sense, these issues cannot be said to be purely moral because they overlap with political, social, legal, economic and environmental concerns. But they are problems that have been cast in terms of right and wrong behaviour from the point of view of West European industries and consumers. Because both consumption and production of dress are highly globalized these debates in West Europe are not qualitatively different from those of other highly developed regions. Many ethical problems, campaigns and monitoring issues are distinctly transnational because both consumer markets and production systems are highly globalized. It is a paradox that while many consumers have a positive involvement with clothing in terms of emotional attachment and identification, they also tend to have a distinctively negative image of the industry behind. In fact, there is a widespread cynicism about the fashion industry. URI: http://hdl.handle.net/10398/7770 Files in this item: 1
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Skov, Lise; Skjold, Else; Moeran, Brian; Larsen, Frederik; Csaba, Fabian F. (, 2009)[More information][Less information]
Abstract: Not so many years ago, the fashion industry was called a ‘sunset industry’, and was deemed to have no future in the most developed countries. But recently, the New York Times has suggested that ‘the sun never sets on the runway’ (Wilson, 2008). Under this heading the article described the diffusion of fashion week organizations, with accompanying fashion shows, that are no longer limited to a handful of fashion capitals, but are spreading to small-country capitals and medium-sized cities all around the world. URI: http://hdl.handle.net/10398/7943 Files in this item: 1
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Skov, Lise (, 2009)[More information][Less information]
Abstract: Analyser af industrialisme byggede indtil for tyve-tredive år siden på en narrativ figur – ’fra håndværk til industri’. I vores postindustrielle samfund hvor butikkerne ligger tæt, og der er langt til fabrikkerne, må denne analysefigur suppleres med et nyt slutpunkt, så den forløber ’fra håndværk til industri til globaliseret industrinetværk’. Der er opstået et nyt grundlag for en globaliseret industrikultur baseret på en voksende afstand mellem produktion og forbrug. I denne artikel analyseres den danske og europæiske pelsbranche ud fra denne tre-punktsfigur. Pels har aldrig været et skoleeksempel på industrialismens udviklingsparadigme. På grund af pelsbranchens særlige materielle udfordringer – hvert skind er unikt, og det kræver en stor viden at bearbejde det – har det været svært for branchen at følge med industriudviklingen og høste de stordriftsfordele, som andre brancher gjorde i efterkrigstiden. Den fortsatte næsten håndværksmæssige organisering satte branchen så meget udenfor modens og industriens netværk, at den ikke havde mange venner tilbage, da dyrerettighedsbevægelsen i 1980erne lancerede en række anti-pelskampagner. Under efterfølgende krise og omstrukturering er branchens organisation blevet ændret, således at pelsbeklædningsproduktion i dag er koncentreret i Kina, mens distribution og salg er knyttet til internationale designermærker. Denne del af branchens strategiske repositionering kan i høj grad tilskrives markedsføringsorganisationen Saga, der er finansieret af de nordiske pelsdyravlere og beliggende i Danmark. Denne artikels overordnede argumentation er, at denne omstrukturering sammen med den voksende interesse for etik og forbrugerpolitik har været den afgørende forudsætning for pelsens tilbagevenden i modebilledet. URI: http://hdl.handle.net/10398/7794 Files in this item: 1
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Imellem nyt og gammeltSkov, Lise; Larsen, Frederik; Nette, Sarah (Frederiksberg, 2011)[More information][Less information]
Abstract: Formålet med denne rapport er at afdække markedet for kommissionsgenbrugstøj i København. Gennem en række kvalitative interview med forretningsindehavere og observationer i kommissionsgenbrugsforretninger, forsøger vi at karakterisere kommissionsgenbrugstøjforretningerne, deres forhold til henholdsvis genbrugsforretninger og førstehånds tøjforretninger samt deres indbyrdes placeringer. URI: http://hdl.handle.net/10398/8280 Files in this item: 1
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Skov, Lise; Melchior, Marie Riegels (, 2008)[More information][Less information]
Abstract: Dress and fashion are rich and varied fields of study. Some scholars refer to them as ‘hybrid subjects’ because they bring together different conceptual frameworks and disciplinary approaches, including those from anthropology, art history, cultural studies, design studies, economics, history, literature, semiotics, sociology, visual culture and business studies. Invariably, such a pervasive phenomenon as dress has always been the subject of much commentary. Since the late 19th century, there has been no scarcity of research, but studies have been somewhat sporadic and tended to stay within these bounds of their own disciplines. From the 1960s to the 1990s, the leading educational institutions with words like dress and fashion in their titles, were, firstly, design schools and technical training institutions, servicing the industry, and secondly, institutes devoted to the study of dress history, directed as museums. It was only in the last decades of the 20th century that various approaches were integrated across disciplines and institutions so that it became possible to talk about something like ‘fashion studies’, reflected by the emergence of research centres, academic journals and graduate programmes with such heading. However, both the term, and what it is perceived to represent, is contested; while some scholars and institutions endorse ‘fashion studies’, others reject it or distance themselves from it. URI: http://hdl.handle.net/10398/7766 Files in this item: 1
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analysed through costume and movement in Crouching Tiger, Hidden DragonSkov, Lise (, 2008)[More information][Less information]
Abstract: In this essay, I wish to examine the relation between body, movement and costume in Chinese martial arts film. I propose to see fight choreography as dance, and I rush to say that this is a totally unoriginal claim on my part; practically any book or commentary on the martial arts genre will use the word dance, either literally or evocatively. There are good reasons for this, as I will discuss below. URI: http://hdl.handle.net/10398/7778 Files in this item: 1
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Melchior, Marie Riegels; Skov, Lise; Csaba, Fabian Faurholt (Frederiksberg, 2009)[More information][Less information]
URI: http://hdl.handle.net/10398/7970 Files in this item: 1
Now showing items 1-8 of 8