Working Papers (INO)
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Bilagsmateriale fra "ophavsret i den danske oplevelsesøkonomi: Tal og tendenser"Singal, Kunal; Lorenzen, Mark (Frederiksberg, 2009)[More information][Less information]
URI: http://hdl.handle.net/10398/8217 Files in this item: 1
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Connectivity and Catch-up in Emerging Market EconomiesLorenzen, Mark; Mudambi, Ram (Frederiksberg, 2010)[More information][Less information]
URI: http://hdl.handle.net/10398/8006 Files in this item: 1
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Family Ties and Embeddedness in the Indian Film Industry in BollywoodLorenzen, Mark; Taeube, Florian A. (Frederiksberg, 2010)[More information][Less information]
Abstract: Theoretical and empirical research on entrepreneurial networks is largely outcome-oriented and little integrated with family firm research. In this paper, we draw on social network and entrepreneurship literatures in order to investigate how family businesses build and make use of a variety of embedded and arm’s-length ties. We present novel data self-collected in qualitative, inductive fieldwork from more than 50 interviews in mainstream film production in Bollywood. Our findings contrast with extant research by showing that in the socio-cultural context of India the use of embedded ties is higher than predictions in the Page 3 / 55 Creative Encounters Working Paper #40 theoretical literature and empirical findings in cross-country studies suggest. Moreover, we show that the ‘Indian’ family is an institution that dominates embedded ties. The Banyan tree symbolizes this interconnectedness of the different branches of an Indian family compared to the plain structure of a birch tree describing Hollywood, where embedded ties can be different from familial ties. URI: http://hdl.handle.net/10398/8005 Files in this item: 1
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Does it make sense?Bille, Trine (Frederiksberg, 2010)[More information][Less information]
Abstract: This paper discusses the concept of the experience economy in a Nordic context and shows how the Nordic version of the concept has come about from a mix of three different approaches and theories. Besides, the Nordic definition links the experience economy closely with cultural activities. In the Nordic countries the experience economy has been developed in a political context and it is apparently a popular development policy for local government authorities and regions. This paper discusses the Nordic definition of experience economy and questions if it makes any sense. The definition of experiences is not clear, and the definition of the word “economy” has different interpretations as well. In a narrow interpretation the term economy is related to market economic value, which is used in the political terminology. The paper shows that the experience economy can follow three different routes to market value creation, and how the growth opportunities for the different experience areas will depend on three different trends. Therefore, it can be shown that only some experience areas are growing, and the market value creation occurs in very different ways and to very different extents within, and in relation to, the different experience areas. The greatest growth potential resides probably in the broad value creation in association with the experience areas. But the experience economy does not lend itself to any consistent definition. URI: http://hdl.handle.net/10398/8012 Files in this item: 1
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Some descriptive results from DenmarkBille, Trine (, 2008)[More information][Less information]
Abstract: The purpose of this paper is to analyze the labor market for artists and in the creative industries more broadly: How important is a formal education for jobs in the creative industries? How are the careers of people with a creative education? Do they work in the creative industries or outside the creative industries? How is the profile of the jobs within the creative industries? Alper and Wassall (2006) present an overview of the economic, mainly empirical research concerning the labor market of artists. Different types of studies can be distinguished: theoretical models of artistic career processes, qualitative interviews and data, retrospective surveys and panel data based on surveys (either true panel studies or quasi panel studies). Some of the most extended studies on artists’ earnings are done by Alper and Wassall on American census data, where data comes from peoples selfreporting in surveys, and peoples’ occupation is based on time spent at work during a single reference week. This do obvious have some drawbacks. Register data from Statistics Denmark representing true panel data, makes it possible to overcome some of these problems and gain new knowledge on the career patterns of artists, their income, the importance of education, multiple jobholding etc. The register data used in this paper includes a lot of variables on socio-economy, income, employment etc. for the Danish population in the period 1994-2003. The paper includes a discussion and delimitation of artist and the creative industries, and presents new empirical results on the labor market for artists and in the creative industries URI: http://hdl.handle.net/10398/7750 Files in this item: 1
