Browsing Creative Encounters (ICM/IKL) by Title
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The Digital Concert Hall in a Media Geographical PerspectiveStöber, Birgit (Frederiksberg, 2011)[More information][Less information]
Abstract: The Internet is often associated with “a placeless world, (…) and a form of reality grounded in technology rather than nature” (Adams 2009, 115). Many commentators argue that the combination of Information and Communication Technologies (ICTs) and cyberspace disrupts a number of factors that underpin traditional forms of cultural and social interaction and thus the relationship between place, community and identity.” (Dodge & Kitchen 2001, 33) Moreover, an argument often heard is that media are not able to reproduce a unique moment tied to a particular site; therefore media (no matter whether they are analog or digital) are not able to transmit cultural events such as a concert without losing its specific “aura” (Benjamin). The case of the Digital Concert Hall (DCH) by Berlin Philharmonic Orchestra challenges these arguments. The DCH is a virtual place and communication platform that offers a “quasi authentic concert experience on a home computer” (Kolbe 2009, 12). However, the DCH is extremely bounded to the concrete place of the concert hall in Berlin mainly due to the technology installed in the hall. In this paper, I will argue that the virtual place of the DCH is a new media initiative from the classical music scene that is not placeless, neither it is weakening the physical place of the concert hall in Berlin. Rather, the virtual platform DCH is strengthening the physical place as well as the brand Berlin Philharmonic Orchestra. URI: http://hdl.handle.net/10398/8253 Files in this item: 1
54-BS- New media and music productsx.pdf (273.6Kb) -
Lorenzen, Mark (, 2008)[More information][Less information]
Abstract: The paper presents stylized facts about the economic organisation of the film industry, arguing that while we know a lot about production, specialization and internationalization, the complex processes of globalization are still under-researched. The paper concludes with a research agenda of how to address globalization. URI: http://hdl.handle.net/10398/7775 Files in this item: 1
Creative Encounters Working Papers 8.pdf (202.1Kb) -
Shared Leadership in a Filmmaking CompanyStrandgaard, Jesper (Frederiksberg, 2011)[More information][Less information]
Abstract: How can organizations innovate and break with conventions without losing their legitimacy? Organizing for legitimacy (serving tradition and convention) often contrasts organizing for innovation and is often perceived a choice between two evils. This paper suggests that leaders can reconcile the legitimacy-innovation tension by combining and addressing them as two complimentary processes. An ethnographic case study depicts how shared leadership in a highly successful filmmaking company, confronts the legitimacy-innovation tension and, based on a combination of ‘out-of-fashion’ and contra-intuitive actions, their search for new solutions makes them balance between being a rebel or an outlaw. URI: http://hdl.handle.net/10398/8392 Files in this item: 1
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Csaba, Fabian Faurholt (, 2008)[More information][Less information]
Abstract: This study first addresses some of the key definitional, conceptual and moral issues arising in the analysis of luxury. It points to the challenges of even defining luxury, and instead adopts and extends a flexible scheme for conceptualizing luxury. This provides a framework for investigation the consumption and management of luxury today. We then examine contemporary luxury through different perspectives on “new luxury” and the related issue of the rise of Asia as the world’s primary market for luxury. While the paper does aim to give a sense of the characteristics of the present-day luxury scene, the central focus of the study is on discourses on luxury. We consider to what extent and in which ways luxury is being redefined – by “new luxury” and Asia’s ascent. Finally the paper suggest themes and pointers for further research. URI: http://hdl.handle.net/10398/7765 Files in this item: 1
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Skov, Lise; Melchior, Marie Riegels (, 2008)[More information][Less information]
Abstract: Dress and fashion are rich and varied fields of study. Some scholars refer to them as ‘hybrid subjects’ because they bring together different conceptual frameworks and disciplinary approaches, including those from anthropology, art history, cultural studies, design studies, economics, history, literature, semiotics, sociology, visual culture and business studies. Invariably, such a pervasive phenomenon as dress has always been the subject of much commentary. Since the late 19th century, there has been no scarcity of research, but studies have been somewhat sporadic and tended to stay within these bounds of their own disciplines. From the 1960s to the 1990s, the leading educational institutions with words like dress and fashion in their titles, were, firstly, design schools and technical training institutions, servicing the industry, and secondly, institutes devoted to the study of dress history, directed as museums. It was only in the last decades of the 20th century that various approaches were integrated across disciplines and institutions so that it became possible to talk about something like ‘fashion studies’, reflected by the emergence of research centres, academic journals and graduate programmes with such heading. However, both the term, and what it is perceived to represent, is contested; while some scholars and institutions endorse ‘fashion studies’, others reject it or distance themselves from it. URI: http://hdl.handle.net/10398/7766 Files in this item: 1
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CPH Kids and Danish Children's FashionCsaba, Fabian Faurholt; Larsen, Frederik (Frederiksberg, 2011)[More information][Less information]
Abstract: During the Copenhagen Fashion Week A/W 2010, CPH Kids opened as the first independent trade fair for children’s clothing. Despite considerable resistance, the fair managed to establish itself and challenge the established order by providing a venue devoted fully to children’s clothing and luring away exhibitors and visitors looking for change. In this paper, we analyze the dynamic development and distinctive traits of the children’s clothing sector symbolized at the new fair. Our study contributes to inquiry into the role of fairs and festivals in the creative industries by examining the special case of coinciding, competing trade fairs. We introduce and build on three closely related, but in our view complementary, concepts applied and developed in analyses of festivals, trade shows and other kinds of temporary, usually competitive events, namely tournament rituals, field configuring events and tournaments of value. We establish the common ground of the three approaches, particular their assertion of the rich research potential and vital significance of festivals, fairs and similar events for many fields, whether deemed creative or not. We also single out particular strengths of each approach, which inform our inquiry. They review of theory, points to how existing work has explored fairs as arenas of conflict between exhibitors as well as the rivalry between events separated in time and/or place. In our case, we demonstrate how the emergence of a rival fair both incites and exposes division or segmentation of a field. This observation in our view, challenges prevailing understandings of the relationship between fields and the events, we assume represent and shape them. We argue that it is more complicated than extant theory suggests, and this has implications for the analysis of the fairs and to their role in configuring field. We raise questions about the precise manner in and extent to which events configure field, and point to the agency of event organizers, the fair context and the fair as medium as factors that need to be factored in. The reflections on the field configuring capacity of fairs and similar event, inform our explorations of Danish childrenswear. Following the tournament of value-approach, we place values – more specifically how different values are affirmed and negotiated at the fairs – at the center of our analysis. The approach suggests, that symbolic value, and ultimately the (economic) value exchange value, of cultural products are established through judgments of their technical/material, social, situational, appreciative and utility values. However, we do not focus as much on specific evaluative practices in the field, as the cultural values and norms around which childhood is constructed. These values are vital for the field of children’s clothing, so we address contemporary concerns about childhood placing a particular emphasis on the Nordic context with its the notion of “the competent child”. While our analysis only offers only selected snapshots of the many activities at the two fairs, we have pointed to some of the ways in which positions are staked, values are addressed, forms of capital built and exchanged, and different field configuring mechanisms operate. We conclude, that while further research is required to gauge the field configuring impact of CPH Kids and explore the values, identities and structures of Danish children’s fashion in more depth, our investigation points to the field dividing impact that fairs might have. URI: http://hdl.handle.net/10398/8254 Files in this item: 1
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analysed through costume and movement in Crouching Tiger, Hidden DragonSkov, Lise (, 2008)[More information][Less information]
Abstract: In this essay, I wish to examine the relation between body, movement and costume in Chinese martial arts film. I propose to see fight choreography as dance, and I rush to say that this is a totally unoriginal claim on my part; practically any book or commentary on the martial arts genre will use the word dance, either literally or evocatively. There are good reasons for this, as I will discuss below. URI: http://hdl.handle.net/10398/7778 Files in this item: 1
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Singapore as a City for the ArtsOoi, Can-Seng (, 2009)[More information][Less information]
Abstract: Can the arts and cultural prosper under a less than democratic political regime? This paper looks at the soft authoritarian Singaporean government and the making of Singapore into a “City for the Arts”. Many scholars advocate that a culturally vibrant and creative city must also celebrate diversity, tolerance and experimentation. This implies that a democratic space is needed for creative energies to flow. Singapore is not known for its democracy. But Singapore has become relatively successful in being the cultural hub in the region. A more liberal approach to diversity and criticism of the authorities can now be observed but there are still many strong-handed social and political controls in the city-state. This paper shows that the Singapore authorities weigh the economic, political and social costs while they liberalize the environment to promote Singapore as a City for the Arts. URI: http://hdl.handle.net/10398/7916 Files in this item: 1
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[More information][Less information]
Abstract: This working paper – written for inclusion as a chapter on Japanese society, to be published in Chinese by the Beijing University of Foreign Studies later in 2011 – looks at popular culture as a form of cultural production. It argues for the need to study popular cultural forms like advertisements, ceramics, fashion magazines and folk art as both products and as processes of design, manufacture, distribution, appreciation and use, which must all be taken into account. Precisely because popular cultural forms are both cultural products and commodities, they reveal the complementary nature of the two categories of culture and the economy. The paper outlines and analyses the different ways in which social, cultural, symbolic and economic capital are converted by those participating in advertising, ceramic, fashion magazine and folk art worlds, and suggests that popular culture may best be seen as a name economy. URI: http://hdl.handle.net/10398/8252 Files in this item: 1
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Moeran, Brian (Frederiksberg, 2011)[More information][Less information]
Abstract: This working paper is a case study about the development of a faience product line in Royal Copenhagen and illustrates several aspects of how, at what stages of development, and by whom, cultural products in general are evaluated. Three theoretical issues emerge. One concerns the constraints imposed upon design and production by the use of materials and, to a lesser extent, technology. Another argues that product development has to take place within a particular brand and genre – in this case, those of Royal Copenhagen. A third reveals the way in which the design and manufacture of a particular cultural product had to be negotiated within a particular organizational world embracing both management and workers, with differentiated skills. These issues lead to a more general discussion of craftsmanship and storytelling. URI: http://hdl.handle.net/10398/8338 Files in this item: 1
62 - BM Royal Copenhagen.pdf (341.7Kb) -
Strandgaard Pedersen, Jesper; Mazza, Carmelo (, 2008)[More information][Less information]
Abstract: Film festivals are claimed to be leading events establishing the reputation of directors and producers in the film industry and they constitute a well-established field in itself. Film festivals have become a widespread phenomenon over the last fifty years with specialization as an emerging feature, profiling festivals on the basis of the participating genre and quality of movies, directors and actors. Such a structured field constitutes an interesting domain to analyze challenges and advantages of late adopters in an institutionalized field. This paper is concerned with the strategic responses and efforts made by two late adopters film festivals – Copenhagen international film festival (CIFF), launched in 2003, and Festa del Cinema di Roma (FCR) launched in 2006 – in order to establish themselves as international film festivals within the international film festival field. The comparative study of two film festivals is based on qualitative data and thrives on business ethnographical methods. The paper investigates how the two festivals have positioned themselves and how they face the inclusion-exclusion dilemma (Brewer, 1991; Alvarez et al., 2005) establishing themselves within the institutionalised field of international film festivals. Combining the classical work by Tolbert and Zucker (1983) on early and late adopters in the diffusion of management ideas and practices with Suchman’s (1995) forms of legitimacy and Lawrence and Suddaby’s (2006) notion of institutional work, we analyze how imitation and innovation pressures have shaped the frames used to position and legitimate the film festivals and their relation with the industry. URI: http://hdl.handle.net/10398/7782 Files in this item: 1
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An Integrative ReviewChristensen, Bo T.; Jønsson, Thomas (Frederiksberg, 2011)[More information][Less information]
Abstract: It seems to be an established fact in the organizational psychological literature that participation in decision making leads to creativity and innovation in work groups and organizations. A quite extensive amount of research has claimed that the link exists, although only a somewhat smaller amount of research has established that there is a link between the two constructs of participation in decision making and creativity. But although this link has been clearly documented theories with clearly stated causal explanations of why participation in decision making (pdm) would lead to creativity and innovation are extremely rare. The literature has pointed to a large number of mediating variables and possible effects of pdm that could possibly explain the link to creativity, but explicit causal theories and experimental evidence of the validity of such theories remain relatively few. Suggested mediating factors include such different models as enhanced intrinsic motivation (Amabile, 2001; Conti & Amabile, 1999), reduction in resistance to change (De Dreu & West, 2001), pooling of unshared knowledge (Latham, Winters, & Locke, 1994) and better utilization of individual differences in cognitive style (Kirton, 1989), and improved work environment for creativity (e.g., Isaksen, Lauer, Ekvall, & Britz, 2001). URI: http://hdl.handle.net/10398/8256 Files in this item: 1
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Now showing items 40-51 of 51