Browsing Creative Encounters (ICM/IKL) by Author "Bille, Trine"
Now showing items 1-3 of 3
-
Bille, Trine; Jensen, Søren; Vestergaard, Trine (Frederiksberg, 2011)[More information][Less information]
Abstract: Many studies on the creative labor market have been done with the purpose to get knowledge on the creative workers employment, working conditions, income etc. (e.g. Alper and Wassall (2006), Throsby (2001), Throsby and Hollister (2003), Heian, Løyland and Mangset (2008), Abbing (2002). Most studies have been based on interviews and this approach has of course its pros and cons. Very few studies are based on true longitudinal data making it possible to study artists income development and survival in the professions (one exception is Coulangeon et al., 2005) The aim of this study is to analyze, comparatively for different groups of artists, the factors that affect 1) the income of artists, and 2) the probability of an artist exits the artists labor market. The paper compares different groups of artists, by looking at income functions and survival functions concerning risks to exit the labor market, using event history techniques (survival functions and Cox regressions). URI: http://hdl.handle.net/10398/8378 Files in this item: 1
Trine Bille_ Creative Encounters_63.pdf (308.9Kb) -
Bille, Trine (København, 2007)[More information][Less information]
Abstract: Det er helt centralt i Richards Floridas teori om vækst, at kunne tiltrække den kreative klasse, men hvad er det egentlig som tiltrækker den kreative klasse? Formålet med denne artikel er at undersøge hvad det er for kultur- og fritidsaktiviteter den kreative klasse især benytter sig af. Det er dels interessant fra et kulturpolitisk og ikke mindst et regionalt udviklingspolitisk ståsted: hvad er det for kultur- og fritidsaktiviteter den kreative klasse bruger og tiltrækkes af? Dels er det interessant at undersøge, fordi det er punkt, hvor Florida ikke er særlig nuanceret. Den danske kulturvaneundersøgelse indeholder detaljerede data om den danske befolknings brug af de fleste kultur- og fritidstilbud. Ved at koble disse data med data for befolkningens arbejdsstilling opdelt på Richard Floridas klassificering, kan der opnås en helt ny viden om, hvad det er for kultur- og fritidstilbud den kreative klasse benytter, og dermed – må man antage – tiltrækkes af. Resultaterne, som er baseret på multivariate regressionsanalyser, viser nogle markante tendenser. Den kreative klasse er generelt mere aktive end serviceklassen på en række af de mere ”populære” og ”brede” kulturområder. Den kreative kerne adskiller sig for derimod ved at være mere kreative i deres fritid end andre. Herudover er de bl.a. mere interesseret i litteratur og viden, kulturarv og historie samt klassiske kulturformer som klassisk musik og teater. Endelig viser analysen, at der er en række kultur- og fritidsaktiviteter, hvor den kreative klasse ikke synes at adskille sig fra andre grupper. Det gælder først og fremmest en række hverdagskulturelle hjemlige aktiviteter, nogle ”brede” kulturaktiviteter samt mere oplevelsesorienterede familieaktiviteter. URI: http://hdl.handle.net/10398/7203 Files in this item: 1
wp04-2007.pdf (454.4Kb) -
Some descriptive results from DenmarkBille, Trine (, 2008)[More information][Less information]
Abstract: The purpose of this paper is to analyze the labor market for artists and in the creative industries more broadly: How important is a formal education for jobs in the creative industries? How are the careers of people with a creative education? Do they work in the creative industries or outside the creative industries? How is the profile of the jobs within the creative industries? Alper and Wassall (2006) present an overview of the economic, mainly empirical research concerning the labor market of artists. Different types of studies can be distinguished: theoretical models of artistic career processes, qualitative interviews and data, retrospective surveys and panel data based on surveys (either true panel studies or quasi panel studies). Some of the most extended studies on artists’ earnings are done by Alper and Wassall on American census data, where data comes from peoples selfreporting in surveys, and peoples’ occupation is based on time spent at work during a single reference week. This do obvious have some drawbacks. Register data from Statistics Denmark representing true panel data, makes it possible to overcome some of these problems and gain new knowledge on the career patterns of artists, their income, the importance of education, multiple jobholding etc. The register data used in this paper includes a lot of variables on socio-economy, income, employment etc. for the Danish population in the period 1994-2003. The paper includes a discussion and delimitation of artist and the creative industries, and presents new empirical results on the labor market for artists and in the creative industries URI: http://hdl.handle.net/10398/7750 Files in this item: 1
Now showing items 1-3 of 3