Dependently independent


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Dependently independent

Vis færre oplysninger Sigurdardottir, Margrét Sigrún 2009-12-20 2009-12-21T13:11:22Z 2009-12-21T13:11:22Z 2009-12-20
dc.identifier.isbn 9788759384121
dc.description.abstract The concept of institutional logics, notably a choice between multiple logics, has been offered as a foundation to theoretically explain heterogeneity of organisation. The thesis focuses on how this heterogeneity of organisation is possible through a study of how decision makers deal with conflicting yet coexisting logics in their every day work. The field chosen for the empirical study is the recorded music industry, where two opposing logics, the artistic and the commercial, necessarily co‐exist. Through semi‐structured interviews, decision makers in the recorded music industry in the UK were asked about their work processes. Their descriptions revealed two very different ways of acting based on either the artistic logic or the commercial logic. The study further shows that even if there were some attempts to take both logics into account, all the respondents emphasised one logic over the other, but not the same logic, leading to the established major/independent duality in the structure of the field. en_US
dc.format.extent 229 s. en_US
dc.language eng en_US
dc.publisher Copenhagen Business School en_US
dc.relation.ispartofseries Ph.D. Series;2010-03
dc.subject.other Ph.d.-afhandlinger en_US
dc.title Dependently independent en_US
dc.type phd en_US
dc.accessionstatus modt09dec20 jobrmo en_US
dc.contributor.corporation Copenhagen Business School. CBS en_US
dc.contributor.corporationshort The PhD School of Economics and Management en_US
dc.contributor.department Institut for Innovation og Organisationsøkonomi en_US
dc.contributor.departmentshort INO en_US
dc.contributor.departmentuk Department of Innovation and Organizational Economics en_US
dc.contributor.departmentukshort INO en_US
dc.idnumber x656604343 en_US Frederiksberg en_US
dc.publisher.year 2010 en_US
dc.title.subtitle Co-existence of institutional logics in the recorded music industry en_US

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